Monday, 5 August 2013

Review // Pond- 'Hobo Rocket'

It's Monday which means a whole new load of releases are unleashed for your ears out into the big wide world- one of these being Pond's 'Hobo Rocket', which I reviewed for Crack over here. You can also read the piece below- spoiler alert: It ain't 'Beard, Wives, Denim', that is for sure...
Pond- 'Hobo Rocket'
 Aussie psychedelic collective Pond have been at the height of their underground success for a number of years, yet they've never stood to the praise and recognition they deserved until last year’s 'Beard, Wives, Denim', a collection of flailing, warped garage offerings. However, the band have come close to mainstream recognition due to having common members with the widely loved neo-psych outfit Tame Impala. But as Pond/TI member Jay Watson once told us over a cigarette in Manchester: “Tame Impala is the pussy version of Pond. This is what we produce when we don’t have limits.” And judging by opener 'Whatever Happened to the Million Head Collide', with it’s almost-hypnotic vocals and clashing waves of unadulterated scuzz, it seems like this really is Pond’s big, bold statement… in the honeymoon stages, that is.
 Second track 'Xanman' projects Pond’s past country ideologies, woven with hazed-out guitar lines and scathingly coarse deliveries that burst out of your speakers until they almost reach distortional proportions themselves, atop a definitive explosion of raunched-out rockings that build tighter into an outbreak of corrugated unruliness. 'O Dharma' is about as poignant as this five-some will ever get, with tranquil instrumentals and achingly forlorn vocals of ‘when your love turns black and everything looks grey/ when your life comes back and you've got nothing left to say‘ that stretch out and tip-toe overhead, but rather than magnifying the potential beauty within, the song falls flat amongst it’s clichéd reveal. It’s a noticeable, reoccurring downfall that only continues on throughout the record’s thirty-two minute expedition.
 And that’ exactly the issue here, Hobo Rocket doesn't feel like a journey, progressive or not being out of the question, instead it gives the listener a sensation like a strenuous trek of epic proportions. Guest vocals from friend of the band and little-known character ‘Cowboy John’ on the title track are nothing more than uniform churns strewn out across their trademark pointers of rough and ready riffs, causing things to only decline more, thereon in, while 'Giant Tortoise' presents itself as anything but freshly produced, thronging them into feeling like one foot is remained firmly in the past. We get it, Pond are a kaleidoscopic bunch who like their workings drenched in fuzz, but they’re really not adding any edge to what we have actually grown to adore them for. For a release from such a highly energetic band who apparently don’t just pour, but rather unleash their inner craziness, Hobo Rocket is an unsatisfactory release that lacks excitement, originality and dynamism in equal measure.
Words by Yours Truly X

Friday, 2 August 2013

Hello Giggles // Underdogs' To Fall In Love With

Hey, Friday! Seeing as I have no life inbetween living for the weekend this Summer, I have found myself in a constant routine cycle of planning trips, writing articles and reliving excellent series of the past- sad it may be, but I thought hey, why not combine the latter two and share my underdogs' to fall in love with from some of the best programmes of yesteryear. Even more so, I had this piece published over on Hello Giggles- A female lifestyle website founded by Zooey Deschanel, Sophia Rossi and Molly McAleer; Sisters doing it for themselves! Obviously it's a step away from my musical-based pieces that you're all usually used to but a little change is good, especially when it involves a young Jason Segel and Twin Peaks, duh. You can read all about it over here!

Words by Yours Truly X

Friday, 12 July 2013

Review // Iggy Azalea @ Fabric

Gooood Morning- I recently witnessed Iggy Azalea's live show at Fabric in conjunction with HP for Crack over here! Truth be told, I've been an Iggy fan since her Ignorant Art EP but her live performance on this particular occasion? I'm a reformed fan after viewing first hand that use of a backing track and glorified gluteal thrustings into crowds are not the way to dazzle with one's talent when she does actually have some excellent spits under her belt :( You can also read an unedited piece below.
Iggy Azalea @ Fabric
The peroxide persona of Grand Hustle’s first lady Iggy Azalea  has succumbed to the radars of not only the hip-hop underground since the releases of her ‘Glory’ and ‘Trap Gold’ EPs’, but also found herself propelled onto radio station day time A-lists and red carpets the industry over, across a whirlwind twelve months. Pretty admirable for a girl with ‘No money/ No family/ Sixteen in the middle of Miami’, huh? Tonight’s special collaborative show in conjunction with media giants HP has a mood resembling something of an almost-residency, as Iggy has stayed loyal to our fine capital city throughout her rise, yet will her one-off appearance at the usually electronic-orientated Fabric see her project as fiery and fresh as we hoped, or will she bring a case of comfortability over quality?
West Coast certified and now staple opener across the plethora of Iggy’s recent live shows, DJ Whizz Kidd provides the incipient teasings and ignites commotion with vintage hip-hop treasures from Montell Jordan, admirably scratched into the likes of Ludacris, that effect the specially-picked and already hyperactive crowd to spring like children on a sugar trip, even more so than they were.
As illuminated circus-themed features sparkle across the miniature stage, Iggy animates out  right into the firing line with her opening spits on snare-laden “EDM instigator” hit ‘Beat Down’, demanding attention thanks to her lightening delivery and pristine clarity amongst the speed. There is however one obvious flaw hanging overhead; the crude and seemingly unnecessary employment of a full-blown backing track -vocals and all- which overshadows from the start, setting the tone that this show certainly isn’t set to be bromidic, yet is hardly something of a high-quality performance so far.
As a vivacious quartet of metallic hotpant-clad dancers twist and twerk around Iggy, an impressive acapella freestyle of ‘d.r.u.g.s.’ is distributed as mind-numbingly skillfull before her self-assured snarl comes into play for single ‘Murda Bizness’, helped along with just the right slice of attitude. Latest single ‘Bounce’ transcribes her as her most vibrant, feisty and determined with a pristinely executed dance off to match, before ‘Drop That’ sees Iggy take a seat centre stage for her troupe to be thrusted into the limelight.
As the performance progresses on however, it becomes obvious that her craft isn’t as tightly perfected as first thought, as ‘Backseat’ is half-heartedly paraded and Chevy Jones high-octave dispatch that is usually heard on the track seems to overpower her un-weighted delivery for a performer that  has come to blow up so much in the public domain- and it doesn’t end there. The craftily nabbed skewed down DJ Fresh sample upon ‘Golddust’ presents itself as disjointed and straight-up peculiar to those not in the know, whilst early release and the usually ferocious ‘Pu$$y’ spins speeches of “If you like pussy, you gotta like cheeks” followed by a brazen exhibit of gluteal slapping that seems inappropriately there more to provoke reaction than anything else.
With a top ten single and a proven talent when it comes to Iggy’s art in its basic form, it feels like here at Fabric presence and persona overpowers her live show, when it really can’t afford to at this point in her career. Sure, I’m all for women being able to flaunt their sexuality as and when they choose- only when it overpowers talent which she undeniably possesses, tonight’s show continues on to not settling comfortable, nor in a definitive direction for a fresh artist tipped so highly in such a fast-paced industry.
Words by Yours Truly X

Sunday, 23 June 2013

Review // Parklife Festival 2013

Hey Sunday, how you holdin' up? The super-talented James Balmont of Three Beams and I ventured off to Parklife over at Heaton Park and had fun in the sun as I mentioned in my last post- we collectively made our notes through the form of selfies next to stage signs and Snapchats, duh, PROFESSIONALS! Our review is now live here at Crack so get clicking on over- I've also included the original, un-edited and more lengthy version below, if you want all the no-holds-barred details...
Parklife Festival 2013 @ Heaton Park

Having made the noble transition from hosting previous years of Parklife over at student Summer hub Platt Fields Park, the ever-growing gratification for increasing renowned artists and DJ’s alike saw this year’s team behind Manchester’s Warehouse Project expand to mecca-site Heaton Park for a two day extravaganza, involving one of the Summer’s most sterling bills of the season. Did they manage to pull off the mega spectacle or was it simply a case of too much too soon, in upscaling?
Boasting an array of stages, tents and pop-up mini settings, there was certainly no shortage of acts to catch, as broad stances from drum & Bass veteran labels and promoters such as Hospitality and Metropolis, bought the hundred-and-one-miles-an-hour pace of unforgiving bone-pummelling sets, right over to Hot Creations infiltrating the air with swathes of funky house- all aiding in ushering in the Summer at an alarmingly exciting rate. The likes of icon in the game Andy C,  as well as fresher faces SPY and Friction, lay down their own personal live improvisations and a whole haul of edits ranging from TLC’s ‘No Scrubs’, over to an eye-brow raising yet admirable drop of Usher’s ‘Climax’ and classic floor-fillers such as Robin S’s ‘Show Me Love’. It seems that not every set was as rigidly set in stone as audiences may have envisioned…and a rife welcome addition across the turntables, at that.
Over at Now Wave’s hand-picked congregation, Four Tet’s re-invention as a modern dance musician might seem a shame to those who thrived on his past albums – once dubbed ‘folktronica’ by the press – but it would be a crime to criticise it as his supremacy is untouchable. With 2010’s anthem ‘Love Cry’ ending the set in euphoria it is easy to see why Kieran Hebden is invited back to the city and to play such heralded slots, so frequently. A similar story could be told about Dan Snaith’s Daphni alias also, as Jiaolong favourites ‘Yes, I know’ and ‘Ye Ye’ divulge the audience with disco-meets-industrial peaks and old school Altern 8 vocal samples bring it right back to the heart of the rave. 
Disclosure topped off the night with a headline performance in celebration of the most astounding of feats – the confirmation that their debut album had gone straight to number one in the UK album charts. And with performances like this they simply cannot be faulted. Boasting possibly the most precise and clear sound of the whole festival, they dominated their audience with a rich and plentiful set that featured collaborations from both Jessie Ware and Sam Smith, with the canvas-topped fun also rolling over into the festival’s second day. Hidden out over at one of the site’s far-flung corners was one of the loudest and messiest stages; both the Drop The Mustard tent and David Rodigan’s RamJam collectively over the two days, placed at the foot of a rolling hill that seemed to serve as a gigantic naughty-step for its tenacious audience. As one of the few scenic and spacious corners of the festival,  it seemed fitting to leave it to a living legend such as the reggae connoisseur by the end of the weekend, although we can’t help but feel that the less than effective ten-out-one-in system overshadowing Dusky’s swelteringly charged set, left many frazzled and faded after queuing just for entry the majority of the afternoon. Yet, it’s not all burnt shoulders when it comes to DTM’s primary local Manchunian pickings, as revellers searching for some of the true blossoming talents of the city couldn’t have done better than to stumble across Sian Bennett’s set inside the appropriately-titled Mirror Mirror tent. The tightly-packed dance space offered a sublime atmosphere in a relentless deep house set that dropped and dropped, ultimately providing itself as one of the festival’s greatest reflections of the city’s glorious nightlife- and Parklife certainly didn’t forget about other local ‘little men’ bookings alongside world-class acts…
One of our favourite LuckyMe Family, Hoya: Hoya residents and strictly all-vinyl femme fatale Éclair Fifi was handed the honourable opening slot over on Hudson Mohawke’s curated stage once the hangovers had crept across Heaton Park come Parklife’s second day- and for a petite blonde bombshell of a figure bopping across her colossal setting to an unfortunately miniature crowd, those wise enough to attend were alleviated with techno Kelly Rowland tracks and high-octane pure pop Cassie cuts, assisting in initialising some questionably feral (yet fabulous) dance moves for a Sunday lunchtime. And the Hoya love didn’t grind to a halt there, as Manchester’s very own dons’ Krystal Klear and Chunky bought the dynamism to stand-out stratums with sudden mixes embracing MK’s II dub remix of Storm Queen’s ‘Look Right Through’, glorifyingly streamlined into Chic’s ‘Everybody Dance’ that within five minutes of entering, have the tent immediately animated with hands-in-the-air classics and foot-stomping vigour, pouring right out onto the surrounding fields from every safety exit viewable.
Oh and those big guns we were referring to? As one of the most hyped acts of the weekend, Jurassic 5 were unsurprisingly triumphant on their first U.K. performance since splitting in 2007. The hip hop troupe paraded around in the most ecstatic of fashions, integrating a comically-oversized turntable prop as much as possible into a hit-laden set that featured the likes of ‘Concrete Schoolyard’, ‘What’s Golden’ and ‘Quality Control’. Also performing a special appearance over the weekend was the honestly candid Danny Brown, rolling out his twanging spits of ‘Blunt After Blunt’ and ‘Lie4’ that propelled him into being noticed as something of a new classic within modern rap- it was just a shame that timetabling errors (which were amended over the festival’s social networking sites yet minimal signal meant that many were left uninformed…) were not highlighted to attendees, with Brown being just one in a long list across the festival’s 48 hours that were switched and changed without reasoning or explanation.

It seemed a great shame that, for all the work put in to making the festival bigger and better, Parklife left behind a shedload of the character and personality that it had in previous years. No longer does it feel like there’s a stage round the corner waiting to be discovered – the mazes of greenery and open grass are abandoned here in favour of an open, singular space, with stages arranged in a less-than-exciting fashion. Despite the multiple problems faced with entrances, organisation and wrongly-advertised stage times that should, due to the festival’s up-scale, have been ironed out; make no mistake that the Parklife Weekender 2013 managed to still provide an excellent event full of rememberable performances and sun-soaked debauchery thanks to top-class bookings and individually-curated bills. This is the music-lovers inner-city festival of the North and not one live set nor performance we saw over the weekend disappointed in the slightest. Here’s to 2014 and hoping that the team will return greater and improvingly formulated run. 

Words by Yours Truly & James Balmont / Images all by Daniel Watson X

Friday, 14 June 2013

Interview // Bonobo

Remember when I said I had a super special interview in the pipeline? Well, I was lucky enough to interview a hero of mine Simon Green AKA Bonobo on his Spring North Borders tour in Manchester a few weeks ago. The interview is now live on Noisey over here, in conjunction with You Need To Hear This and Philips. He showed me around his crazy tour bus and sipped coffee whilst we talked about working with Grammy award-winners and why Disclosure may just be the next Gallagher Brothers'...
In my little world I am now officially packed up and back home for Summer out of the city, it is already wonderful, stressful and I feel like a lost little lamb; my escapades from my last weekend in the form of my Parklife review for Crack will be coming next week, too, so sit tight. I've also entered the twenty-first century and finally joined Instagram albeit nine million years later than everyone else in the history of the world. You can give me a follow by clicking that little icon to the right >, you know you want to...
Words by Yours Truly X

Friday, 7 June 2013

Fucked Up @ Sound Control

How are you all even surviving in this weather?! I'm paler than Casper the friendly Ghost and have spent waaay too long out BBQ'ing in Fallowfield and parading around Piccadilly, someone pass the factor fifty, sharpish! Last week, I took my little Beaky along to watch Titus Andronicus, Metz and Fucked Up all on the same bill for Noisey's Manchester stint. It was sweaty, painful and GREAT- I have some shots and accompanying words up on Noisey over here!
Words and Image by Yours Truly X

Wednesday, 5 June 2013

Review // Field Day London

Field Day was a BLAST! I had a prom and a half staying in the Big Smoke and finally catching up with Hannah, she was a dream host and the weather was heatwave ridiculous all weekend. My highlight review is now live involving a stunning sunset soundtracked by Four Tet, Karenn hiding away in a tent within a mini forest, finding old college friends during Daphni's amazing set and how the organisers' still managed to retain a boutique, intimate feel whilst putting on a brilliant line-up all day long. It was one of the best events of the Summer so far, so give it a read here! It is also my last week in the city before I move home for summer (Mood? ~emotional~) and I've been going out with a bang involving BBQ's in the sun, leaving drinks with the Factory Family and- oh yeah- I'll be covering one of the best line-ups of the Summer this weekend over at Parklife. Come give me a farewell to remember, Manchester!Words by Yours Truly X